I was very excited yesterday when another heavy, fat brown parcel arrived at my door from Hachette – the latest version of my manuscript with copy editing notes. I immediately opened it to find my manuscript, notes from the editors, and a guide to the copyediting symbols to help me decipher the notes!
Unlike the structural edit, which looked at big picture issues around my plot and characters, the copy edit is a detailed look at the finer points: sentence structure, grammar, punctuation, points of view, and a closer look at the text in terms of consistency.
While it looked incredibly daunting last night when I began to flick through the wad of pages, I can see that many of the hundreds of pencil marks relate to really simple things that I am happy to change. There are a few details to add and more to check, but overall, it’s not a rewrite on the same way as a structural edit and I ho pe to tackle this page by page, paragraph by paragraph.
It’s another stage in the development of a novel, a stage that I am privileged to be at. With each step along the way, I can see the book evolving into the version that will be on the shelves (or virtual shelves for the e-book!) in March 2013.
I’ll also have a new website up soon.
Now I just need my three little ones to sleep so I can start editing!
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This morning, I met with Matt Richell, the Sales & Marketing Director from Hodder and Headline (Hachette) while he was in Perth for a few days. We discussed books and publishing in general, and of course, my novel.
It sometimes feels that Perth is quite isolated form the publishing world, given that most of the major publishers, literary agents, writers’ festivals etc are based on the East Coast of Australia, although I do wonder if that sense of isolation is common to all writers. While I enjoy the solitary nature of writing, I also love to talk about books, and am really excited to be given access to the publishing world, full of people who are as passionate about stories and writing as I am.
Matt did give me one piece of advice (well, he gave me lots of advice but this piece stuck): celebrate each stage of the process. And I do.
When I started writing ‘Fractured’, the idea of it ever being published was something that seemed so distant and unlikely. Now I am actually going through the process of structural edits, copy edits, proofs, cover design…all those things are real and no longer mysterious processes. I still feel incredibly privileged to have a team of professionals working on the book with me and I’m really excited to see what the next few months hold as publication gets closer.
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