I am thrilled today to be interviewing Phillipa Fioretti, author of ‘The Book of Love’ and ‘The Fragment of Dreams’.
Phillipa was born in Sydney and studied Humanities, Visual Arts and Museum Studies and went on to work and exhibit as a printmaker, as well as teaching part time at tertiary level. She currently writes fiction full time and was selected for participation in the 2008 Hachette/Queensland Writers Centre’s Manuscript development programme . (I have blogged about my own experience of this in 2010 here)
Her first novel, The Book of Love, published by Hachette Australia in April 2010 and the sequel, The Fragment of Dreams, has been released in May 2011. When Phillipa is not writing or reading she’s cooking or watching films, cleaning out the chook shed or walking, travelling, looking at other people’s beautiful gardens and enjoying time with family and friends.
1.Your manuscript for ‘The Book of Love’ won you a place on the Hachette/QWC Manuscript Development Programme in 2008. Do you think that ‘The Book of Love’ would have made it to publication without this opportunity?
Now that’s a tricky question! I never submitted it to anyone before entering it in the Development program so I can’t get a feel for whether it would have sunk or swam. It is a good story and it had a very light edit, so it was ready to go into the world at that point, but so much of publishing is subjective. Someone has to love it, really love it, to get it through the acquisitions meetings. I was incredibly fortunate that it fell into the hands of a publisher who did love it, but others – had they seen it – might have loved it but had no room on their lists. There are a thousand other reasons for a mss not getting through to publication so it’s hard to say. What I can say is I think it’s a good story and compares very well to its peers. It’s sold to Germany and Romania and done very well in Australia and I’m quite proud of it.
2. What has been the most enjoyable part of the publication process? Has anything surprised or disappointed you?
The most enjoyable part and the most painful part are one and the same – the structural and copy edits! It’s a rigorous and confronting process, but the thing you have to keep reminding yourself is that the editors want the best for the book, we all do, and that’s what we are working toward. I guess what I love the most is nutting out problems with people who understand and love the characters as much as I do.
3. ‘The Fragment of Dreams’ is a sequel to’ The Book of Love’. Did you find writing a second novel easier or more challenging that the first?
The Book of Love was easy to bring into the world. I adored the little universe I’d made, loved spending time with my characters, took my time with the dialogue, polished and polished and was immersed in it all the way through, it had a very light edit, a beautiful cover, great reviews, sold internationally and then POW! I had to write another one, and I had to do it to a schedule and it had to be good, even better than the first, and I had no idea if I could do it or not. It was as painful as the first was pleasurable.
I had a severe case of Second Book Syndrome and nearly crashed the whole project, but I pulled that damn rabbit out of the hat at the end, with my publisher calling it a ‘beautiful novel’ (and she does not give praise lightly). I really earned my writer’s stripes with this one, but I’m not complacent. Every book is hard to write, every creative endeavour is hard and you start from a position of fear and self doubt, always. When I received my first copy of The Fragment of Dreams in the mail I got a little misty eyed – all that agony and triumph packaged down to a pretty blue package.
4. Do you have any tips for emerging writers?
Another tough question. Read all the time, work harder than you’ve ever worked in your life and cultivate a group of like minded souls as companions for the journey. Only other writers know what it’s like and they can be a great comfort along the way.
5. What does the future hold for you as a writer?
I really want to get better at it! At the craft side, I mean. I want to tool up so I can tell the stories I want to tell without being too handicapped by technical issues. I have three books that are taking shape in my head now, plus some distant projects as well, but let’s face it, this is the leisure/entertainment industry and subject to the vagaries of the market.
I don’t know what the future holds because one is only as good as the last book. It could all go pear-shaped with the next, of course I hope it doesn’t, but you have to be psychologically prepared for it. A writer’s career is not like signing up for a tenured position. Getting published once, twice does not guarantee third and fourth, and I don’t think many unpublished writers really understand that. I’ve tried to learn from and enjoy these publishing experiences as they are. I hope for more, but try to be in the moment!
You can find out more about Phillipa at her website http://www.phillipafioretti.com.au